(6) Always ask the author lots of questions, even at the risk of trying their patience. Advertisements
Share this:TwitterFacebookEmailPrintLinkedInRedditGoogleTumblrPinterestPocketLike this:Like Loading…‹ Friday Finds: Audio from Shubbak Literature Festival 2017Categories: translation (10) When negotiating terms, remember that an English translation is at least 20 percent more ‘wordy’ than the equivalent Arabic text. Twenty percent is worth bargaining for. (8) If you’re feeling philanthropic, record words and usages that are not in the standard dictionaries, preferably with source and date, OED style. (7) Since you’ll probably end up working with both British and American publishers, rapidly familiarize yourself with both traditions – not just spelling of course, but punctuation, relative pronouns and the parts of irregular verbs. Think of it as a form of recreation, like doing The Times crossword, not as a form of working. The whole series is available for those interested, but it’s the excellent “rules” from award-winning translators Humphrey Davies and Jonathan Wright that kicked off the series:
Humphrey Davies. (5) Also enjoy those moments when you see that a word has shifted its semantic range in the many decades since they last updated Arabic-Arabic dictionaries. Tell yourself that even if you can’t write a novel, your morphology and orthography are impeccable. (3) Try to persuade your editors that not all writers in Arabic think that repeating a word is a criminal offence. All of the existing translations are seriously flawed stylistically, in one way or another. (4) Don’t hesitate to enjoy those moments when you find the author has misconjugated the 3rd person feminine plural of a doubled verb, for example, or miswritten the hamza on some strange word. (3) Don’t consult native speakers who don’t read widely and intelligently. But Tarif Khalidi’s new translation brings a welcome freshness. See it as reassuring proof that Arabic is a normal language. The answer will come to you in a dream before you reach the end of the book. It might be depressing. (2) Consult the author about everything you don’t understand, and if s/he’s not alive, consult another native speaker who reads widely and intelligently. (9) When you have a Quranic passage to translate, be bold and do it yourself. One day we will pool them in one central database and save future translators much anguish. (1) Only translate what you like. (4) Make three drafts, wait a month, and make a fourth. (5) Don’t hesitate to make changes at any later stage whatever snide comments you may get from editors. Sometimes they do so deliberately. But be diplomatic when the text is clearly deficient in some way. (2) Don’t calculate how many hours you spent translating the last 1,000 words. You can’t fight City Hall, even if everyone around you in your formative years always said ‘smelt’ rather than ‘smelled’. (6-10) Translate nothing till you have a contract for it. Long ago and far away, ArabLit began running “rules for translating” from translators from a variety of different language pairs. Jonathan Wright
(1) On your first draft, don’t waste time wondering how to deal with a word or concept that starts coming up and appears problematic.