The details of their friendship show the difference between the two boys’ mentalities and natures. Zabyan maintains the core characteristics of his writing, which also appeared in his first novel, Orwell in the Southern Suburb – أورويل في الضاحية الجنوبية. Mahmoud Hosny is an Egyptian author and critic. A translated excerpt of his first novel, Maps of Yunus, has appeared on ArabLit. Fawzi shows us how he sees the world with clear and conversational language, trending toward colloquial Lebanese with a sarcastic touch. But both of them come from poor families and need to find jobs so they can smoke and drink and do the things that the teenagers in their town do. This way of seeing explains the narrator’s anger over the celebrations of his friends death by those who believe he died a martyr. Advertisements
Share this:TwitterFacebookEmailPrintLinkedInRedditGoogleTumblrWhatsAppPinterestTelegramPocketSkypeLike this:Like Loading…‹ Friday Finds: Hisham Bustani reads ‘The Maestro’ and ‘Night’Categories: Lebanese, review Fawzi sees this man as the reason for his friend’s death, even before it comes. His friendship with Youssef started during primary school, and they continued to be friends until Youssef was killed, or “martyred,” on Lebanese southern borders while working against Israel. He was so obsessed with philosophy and reading that his friends called him Plato. Youssef didn’t pay much attention to the school, didn’t love reading or books, and was fascinated by driving motorcycles and cars, and making some trouble for those who are older than him. The narrator, Fawzi, hates someone a man belongs to the political party that entered Youssef life, because he was the force that pushed Youssef on the track of organizing and handling weapons while he was still underage, without an ability to differentiate or choose his own path. Through Fawzi’s eyes, we see how Youssef takes a dangerous turn into the world of adults. There’s also Fawzi’s love for his friend, which strengthens his belief that Youssef didn’t choose to die for Palestine because he was just a teenager. There’s a cinematic style to the narration, flowing to encapsulate the characters’ multiple small parallel stories, each belonging to a specific place. At the end of last year, Fawzi Zabyan’s novel Youssef’s Disappointment (2017) was released by Dar al-Adab:
By Mahmoud Hosny
In his second novel, Youssef’s Disappointment – خيبة يوسف , Fawzi Zabyan uses a story of two friends to shine a spotlight on political parties in Lebanon. Indeed, Youssef isn’t the only one — there are other young men were tricked by others who belong to the parties. Youssef was always ready to do something without thinking about the results. Sometimes, Zabyan uses a meta-narration to insert himself in the book, and show his perspective on novel-writing, the work of language, and the writers who have influenced him. He sees his friend as a victim of deception. The main character is a teenaged Youssef, a friend to the story’s narrator, Fawzi — yet he tells us he isn’t the novel author, and it’s just a coincidence he’s relaying these stories. Youssef here is an example or pointer toward youth in forgotten places — those who are used to benefit political parties and organizations. Fawzi was the opposite. Fawzi doesn’t consider his friend a martyr, like the people who came to his funeral.