Seeing the President Naked: On Curtis Sittenfeld’s “Rodham”

Rodham mixes what might have been with what was. Fortunately, fiction on the level of Rodham offers some temporary relief. Authors of celebrity profiles love to note what their subjects eat, as if Jennifer Aniston’s poached salmon might be a window into her soul. Reading the book in the spring of 2020 reminds us that Hillary Clinton not only deserved to win the election four years ago, but also that we needed her to win. Before taking an exam, Hillary finds in her bag a note from her boyfriend: “I cherish you.” And from a distant, husbandless future, our narrator wonders, “Did I imagine that my life would be full of such emotional extravagance? The book takes the form of a counterfactual political drama: Bill and Hillary split up in their 20s and never married. Sittenfeld’s America, and the people who rule it, will linger in the minds of her readers. What Hillary eats is determined by polling data. Throughout the novel, Hillary oscillates between condemning Bill as an irredeemable sexual predator and believing he is the only man who can satisfy her intellectually and sexually. Through the young Hillary’s eyes, we are subjected to Bill as a smooth-talking, lionish lothario. This seemed unlikely to me: Wasn’t the president supposed to be more formal? Eventually, as Bill and Hillary Clinton recede from public life, the boundary between fiction and history may blur. Her inconsistency is relatable: we like to categorize ex-lovers as bad or good, while reserving the right to change our minds. A friend with whom I shared my galley copy said that she felt like she was reading fan fiction about the Clintons. While Bill holds the office of governor of Arkansas in the book, as he did in real life, here he goes on to become a skeevy tech titan, filthy rich in the sense that he has a lot of money and in the sense that he spends much of it on silencing the women he has assaulted. It was a moment of reprieve: in Rodham, Sittenfeld gives us what we need, while driving home the point that our elections do not. Meanwhile, Hillary’s ambition to be ambitious is not particularly inspiring. She is flawed, but only to the precise extent that you believe yourself to be flawed. What the author could not have foreseen was that her novel would be published during a pandemic, a catastrophe that could have been mitigated by a more competent administration. Sittenfeld lays bare her protagonist’s humanity, both to prove that Hillary was the superior option in 2016, and to ask whether Americans do not ultimately deserve a better leader than her. And what if staff members barged into his room during a late-night crisis? Hillary’s wavering impression of Bill also evokes our tendency to cast presidential candidates as either devils or saviors, as the embodiment of inequality and corruption, or of hope and progress. Sittenfeld is not afraid of the possibility that her protagonist is objectionable. (Over the phone, Hillary assures a black friend: “This isn’t about race.”) Sittenfeld also illustrates the process through which Hillary convinces herself that the end (becoming president) justifies the means (accepting the endorsement of Donald Trump — who, in this parallel universe, is no less racist, sexist, or unhinged than he is in ours). Exactly how much do we demand of ambitious women? Sittenfeld’s exploration of Hillary’s private life is so thorough — so unsparing yet empathetic — that the book itself is an exercise in democratic citizenship and accountability. MAY 19, 2020
WHEN I WAS A CHILD, I asked my mother if the president of the United States wore pajamas to bed or if he, like my father, slept in his underwear. Occasionally, a moment from history — such as Anita Hill’s testimony and the subsequent confirmation of Clarence Thomas — is presented straight, almost journalistically, complete with a quote from Hill’s opening statement. You may wonder why one of our most talented novelists would return to this genre. In which the job goes to the most qualified candidate. Curtis Sittenfeld goes so far as to imagine that Hillary Rodham does not have the luxury of choosing what to eat, speculating that Hillary’s meals are chosen by her staff so as to seem neither elitist (sushi) nor blue collar (cheeseburger). When I reached Rodham’s final pages, Sittenfeld’s version of events felt realer to me than real life. Decades earlier, during Hillary’s 1992 Senate campaign, her communications director ordered his deputy to groom Hillary’s legs while Hillary prepped for an interview. If we did elect a woman, and if she were to repurpose the Oval Office as oral sex headquarters (no pun intended), neither Republicans nor Democrats would dismiss the scandal as Madam President’s private business. In her new novel Rodham, Curtis Sittenfeld strips our political elites naked. The opening chapters of Rodham, which detail Hillary’s graduation from Wellesley College, her years at Yale Law School, and her courtship with classmate Bill Clinton, feel a little icky. Many characters — Bill, Hillary, Obama, and Trump — keep their names, even as Sittenfeld assigns them fictional lives. Erotic fan fiction: Bill compliments Hillary’s “nice soft bum” and “delicious honey pot.” Sittenfeld has a knack for describing intercourse in a way that makes a person never want to have it again. The promise of Rodham is to show us a powerful woman without her armor — to reveal the desires, doubts, idiosyncrasies, and failures that make her human, and which she has necessarily kept hidden. ¤
Emily Adrian is the author of Everything Here Is under Control, as well as two critically acclaimed novels for young adults. (Did Bill Clinton participate in Silicon Valley orgies, prompting an actress to tweet that she was cuddle puddle curious — or did Curtis make that up?) What you will remember is the pleasure of an alternate history unfolding over some 400 pages, one in which Hillary is not defeated by the man who challenged her or the man who married her. Her task was to show how Hillary might have altered her fate by making different decisions. Unlike Trump, Hillary is held accountable, and forgiven only after denying harassment claims while admitting wrongdoing, explaining the intimate chaos of a campaign while expressing regrets, and assuring the public that she makes mistakes, but rarely! In which we see the president naked. These are the details we erase from the stories we tell about our own lives. Rodham is the second book Sittenfeld has written about American politics; her 2008 novel American Wife explored the imagined interiority of a barely disguised Laura Bush. You won’t remember which details Sittenfeld invented and which were reported in The New York Times. In Rodham, one incident nearly costs Hillary the presidency: a former staffer accuses her of sexual harassment. And it’s a little bit excruciating, watching how Sittenfeld makes her narrative so easy, so sweet, to believe. That the 2016 election gave us the opposite of what we needed, and that the consequences of Hillary Clinton’s loss are increasingly grave, is a hard reality to stomach. In Rodham, we are privy to Hillary’s inability to cook anything more complicated than peanut butter toast; the group chat in which she and her brothers root for the Cubs; and Hillary, in her late 60s, wondering if she has “kissed a man on the lips for the last time”: “How could I have, but how could I not have?”
Insofar as Hillary, on the cusp of becoming the first female POTUS, appears contrived, rehearsed, exhausted, Machiavellian, flat — well, is this not painfully realistic? Sittenfeld fans will recall the clogged toilet in American Wife, the orange juice pork chops in Sisterland. Her novel is more balanced, more resonant, more meticulously depicted than any journalistic account could be. Because you do. What you should ask yourself is why you want to see our country’s leaders absent their coached smiles, rehearsed talking points, and unnatural face paint. As it turns out, our lives may have depended on it. In a country where power is held by an elite few in a faraway place called Washington, do we not have a right to know who these people really are? Even when she is full, she is empty. Days after finishing Rodham, I am haunted by the description of Bill’s “erection inside me and his scrotum bumping against the lower part of my bottom.”
But Sittenfeld assures us that we are not reading fan fiction; we are not even reading a romance. Marriage is not in the cards. It signals that she is in complete control of the story, that she has precisely traced the arc of her protagonist’s life. While they are in progress, the stories we tell about ourselves and our society are too often incomplete and self-serving, obscured by our single-minded focus on the present and our inability to see ourselves without embellishment, without shame. She lives in Richmond, Virginia. Of course, we know there is a double standard. I must have, because to save the note did not occur to me.” The line is classic Sittenfeld. The shining strength of Rodham, and of Sittenfeld’s work in general, lies in the vividly imagined details, the emotional specificity and grubby minutiae that no politician would dare include in a ghostwritten autobiography. Drafting Rodham, Curtis Sittenfeld would have known that Hillary Clinton did not win the 2016 election. Sittenfeld’s Rodham shows us why we read novels in the first place: because fiction reveals truths that we cannot extricate from the limited narratives of our own lives and times. In the year 2020, we expect so little from our male leaders that electing our next president will mean choosing between two alleged rapists. We would never allow a woman who has been credibly accused of assault to become president. The decision Sittenfeld identifies as the pivot point is a personal one: Hillary remains Hillary Rodham, no one’s wife and no one’s mother. In the moment, Hillary reflects: “My life had changed overnight, and this was who I had become — a person whose legs were shaved by someone else, in a taxi.” When the former deputy offers this memory to the public, the resulting media frenzy is equal to what followed Trump’s Access Hollywood tape. My mother speculated that Bill Clinton slept in his underwear. Who needs reality when Curtis Sittenfeld has invited us into the wilds of her imagination? The author imagines Hillary running for the Senate in the early ’90s, knowing that her campaign will eclipse Carol Moseley Braun’s, who might otherwise become the first African-American female senator. Rodham raises the question: How messy is Hillary allowed to be, and how messy is she actually? To see them, in other words, in their underwear? Though Rodham could be classified as political fantasy, Sittenfeld is writing about America, about the unseemly circus of our democracy, as it really is. Even if Sittenfeld could have predicted our country’s current crisis, she would not have offered us a savior.